Skip to content
BAYT SYRIA

Damascus, Syria

The Room That Was Built for a Voice

A Damascene courtyard house is an acoustic instrument that also happens to be somewhere to live. Musicians have known this for a long time; the architects who built them never wrote it down.


By The Bayt Syria culture desk

31 December 2020

1 min read

Damascus


The courtyard of the Umayyad Mosque in Damascus, its arcades and mosaic-faced walls in flat daylight.

Stand in the middle of a courtyard and speak normally, and you will hear yourself come back. Not as an echo — as a slight thickening, a fraction of a second behind the voice.

Move two metres towards the wall and it goes away. Move back and it returns. There is a spot, and everyone who plays in these rooms finds it within about a minute, and nobody has to be told it is there.

This was not designed as an acoustic. It is a by-product of stone, symmetry, a hard floor and an opening to the sky, arrived at for reasons that were about heat and water and privacy.

A green alley in old Damascus, vines running along the walls above head height.

The best rooms in most musical traditions were built for something else, and then somebody sang in them.

What it favours is specific. A single voice, unamplified, in the middle register, does very well. A large ensemble does not; the reflections stop being flattering and start being confusing above a certain density. The fountain, which never stops, sets a floor under everything and takes the edge off anything sharp.

Which is a fair description of the repertoire that grew up in these houses: small, vocal, ornamented, and not loud.

Musicians who have recorded in restored courtyards report the same difficulty. A microphone hears the room as a problem to be solved and places itself accordingly, close in, where the effect does not exist. What you get is technically clean and sounds like nothing.

Context

Why hard surfaces and open sky
A courtyard is enclosed on four sides by stone and open above. Sound reflects off the walls but leaves through the top rather than building up, which produces a short, bright reverberation instead of the long smear a fully enclosed hall of the same size would give. The fountain adds continuous broadband noise, which masks small sounds and makes the space feel quieter than it measures.

Photographs

  • Vyacheslav Argenberg / Wikimedia Commons (CC BY 4.0) · Source
  • Abd Alsattar Ardati / Wikimedia Commons (CC BY-SA 4.0) · Source

More from Damascus

Related stories